From Mine to Mug -
An icon is born
  • The exciting journey of our Meissen porcelain from the manufactory's own mine to the unique product also begins for our mugs in the small village of Seilitz, 12 km from Meissen. In what is probably the smallest mine in Europe, around 150 tonnes of the purest kaolin are extracted annually by just two miners. The white clay is the key to the significant brilliance of Meissen porcelain. With local feldspar and quartz, the raw porcelain mass that forms the basis of our MEISSEN mugs is created in a refinement process that takes months.

    Constantly reinventing ourselves and going innovative ways with new creations, as with the versatile decorations on our mugs, is just as much anchored in the tradition of the manufactory as the constant reflection on its own rich heritage. Our mould archive also plays a decisive role in this. More than 700,000 moulds from over 310 years of the manufactory's history are preserved here, including the moulds for our popular mug.

    All Meissen porcelains are created using one of three techniques: Turning, casting, moulding. The mug is lovingly handcrafted using the casting process. Always conceived and formed in individual parts, Meissen porcelains are finally given their final shape by embossers. With slip, the liquid porcelain mass, a great deal of skill and the right balance of pressure and dexterity, they assemble the handle and mug into our Icon Piece, the mug.

    As the first trademark in Europe, the Crossed Swords have been our unmistakable trademark since 1722 and are also applied by hand to each of our mugs in cobalt blue underglaze painting. Since 1720, the Meissen manufactory has had its own colour laboratory where all onglaze and underglaze colours are produced in-house. This means that our mugs always experience a new presentation and interpretation through the diverse and brilliant decorations. Each colour is individually created in the colour lab, making our mugs one of a kind.




"Our iconic mug is an expression of unique craftsmanship and an inspiring everyday companion from over 300 years of manufacturing history."
  • The painting on our mugs is differentiated between underglaze and overglaze. Underglaze painting is applied directly to the fired body, whereas onglaze painting is applied to the already glazed porcelain after the second firing. For decors with underglaze painting, such as the "Blue Treasures", the colour cobalt blue is applied to the mug once it has been fired. The colour sinks into the raw body and only develops its luminosity and intensity after glaze firing. This makes the painting technique highly demanding, as it does not allow for any corrections and the painting is given depth with only one colour.

    After the subsequent glow firing, the glaze is applied by dipping or spraying. In the following glaze firing it forms the glass-like protection and unique shine. Our mugs are sprayed with a fine glaze mist. During the subsequent gloss firing at up to 1,400° C, the glaze fuses with the porous porcelain, which shrinks by about one sixth during firing over a period of up to six days. Only when the composition of the mass and the firing technique are optimally coordinated the special hardness and the high degree of whiteness finally can be achieved.

    Applied to the glazed porcelain, the onglaze painting unfolds its luminosity in the subsequent decorative firing. Meissen painters specialise in a sub-area of the rich decorative palette. Over the centuries, numerous stylistic worlds have developed - the variety is almost limitless. So the selection of decorated mugs is also large, from hand-painted decors such as the "Giant Bloom" or "Far & Fantasy" motifs to technical decors, every Meissen lover and newcomer will find the perfect mug. Whether for the home office, at the breakfast table or a small coffee break in the afternoon - with our lovingly crafted mugs you will spend unforgettable moments of pleasure.